For Richer, For Poet

“Writing is like sex. First you do it for love, then you do it for your friends, and then you do it for money.”

-Virginia Woolf

If you have ever enjoyed my work, do enjoy my work, and / or would like to support me in my continued journey as a writer, then you can make single donations over on my Ko-Fi. Any money donated will go towards bills, an iPad (this will improve my output), and being able to pay competition fees. For the price of a coffee, you can help me on my journey!

If you’re not convinced of my spoils, see the play below, first published by The Bolton Review. It is a modern-day satirization of the rivalry between Keats and Byron.

DRAMATIS PERSONAE: 

BRYON: Thirty-three. Upper class. Poet. 

SKATE: Twenty-five. Middle class. Poet.

London. 1999. Spring. 

BRYON and SKATE are standing a few feet apart in the side room of a pub. BRYON is flipping through a document. SKATE has his hands in his pockets. 

BRYON: This is terrible, my friend. 

SKATE: We are not friends, and you’re dead wrong. This is the best thing I’ve written in years. 

BRYON: You’re delusional. 

SKATE: You’re a snob. 

BRYON: You’re… 

SKATE steps closer. 

SKATE: Go on. Say what you want to say. 

BRYON pauses for a moment. 

BRYON: Not worth thy breath. 

SKATE: Thy breath?! You really are a snob. 

BRYON: Should I call you a turd instead? 

SKATE: I would like that. It makes you normal. 

BRYON: Fine. You are a massive, great, stinking turd. 

SKATE smiles. 

SKATE: Thank you. Truly. 

BRYON: You’re welcome. 

SKATE: Why don’t you like it? 

BRYON: It’s clichéd. You should push yourself a bit more. 

SKATE: What’s that supposed to mean? 

BYRON gives SKATE the document.

BRYON: Think outside the box. Your use of metaphor is derivative and juvenile.

SKATE: It might not be to your taste, but I speak for the regular folk.

BRYON: It’s too cockney. 

SKATE: Snob. 

BRYON sighs loudly. 

BRYON: Is that the only insult you know? I must remember to get you a thesaurus.

SKATE: You’ve never liked me. 

BRYON: That isn’t true. I am quite fond of you. 

SKATE: Then why do you say such horrible things? 

BRYON: They are prescriptions, not daggers. 

SKATE: I don’t understand. 

BRYON: I am not insulting you. I am commenting on your work because I believe in the sustainability of the arts. If I don’t think something is very good, then I will say so. 

SKATE: So you’re a doctor now? 

BRYON: Of sorts. 

SKATE: Really. I thought you were a History teacher. 

BRYON: You stick in the mud. 

SKATE: Isn’t that too common of an insult for you? Too (air quotes) cockney.

BRYON: I would never use air quotes. 

SKATE: Can I see what you’ve written recently? 

BRYON: I don’t have it. 

SKATE: (Pointing to a folded paper in the front pocket of BYRON) So what’s that then?

BRYON hides the paper. 

BRYON: School work. It’s nothing. 

SKATE: Which is it? School work or nothing? 

BRYON: You want revenge. 

SKATE: Not true! 

BRYON: Come on. 

SKATE: Ok. Maybe a little. Are you going to show me? 

BRYON: Never. 

SKATE: That’s not fair. You tore my heart out and spat on it. Let me do the same.

BRYON: I did not spit on it. 

SKATE: You come in here and litter your filthy ego across my work, but you won’t let me see a glimpse of yours? Not even a letter?! 

BRYON: You won’t understand it. It will fly right over your head. 

SKATE roars. 

SKATE: Do you really think so little of me? 

BRYON: It’s. I— 

SKATE snatches the paper from BYRON’s pocket. BRYON tries to take it back.

BRYON: Give me that, you insolent— 

SKATE: That is no way for a scholarly gentleman to talk to a fellow. 

SKATE flips to a particular page. BRYON waves him on. 

SKATE: ‘Bryon’s poetry is nothing that one would expect of a man of such nobility. While he believes himself to be a God of English poetry, his verse is one of poor form and utter stupidity.’ 

BRYON: Nonsense. They have no taste.

SKATE: Now I know why you didn’t want me to know. 

BRYON: Go on. Get it out of your system. 

SKATE: Do you want me to laugh? 

BRYON: No. 

SKATE: Then I won’t. 

SKATE hands the paper back to BRYON. 

BRYON: I handle my critics with grace and a splash of humour. You lose your mind.

SKATE: I do not! 

BRYON: I heard from a good friend that you called the Editor and threatened him with violence if he didn’t retract the review. 

SKATE: It was a moment of madness. He said some terrible things about work that means more to me than anyone will— 

SKATE clutches his heart. BRYON looks concerned. 

BRYON: Are you ok? 

SKATE collapses on the floor. 

BRYON: Help! We need help here! 

SKATE goes limp. 

BRYON: I did it. I shot the arrow.

Leave a comment